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|The Asteroid No.4
Swiss Mountain Myth
Little Cloud Records / Cardinal Fuzz
24 July 2020
|California-based psych-rock legends The Asteroid No.4 release ‘Swiss Mountain Myth,’ previewing new ‘Northern Songs’ LP
FOR FANS OF: White Fence, Wooden Shijps, The Warlocks, The Telescopes, Ringo Deathstarr, LSD & The Search for God, The Black Angels, Spiritualized
“A great slice of sonic goodness… a ripe and fabulous offering from a band, whose output is always heavily anticipated… a gentle and expansive stream swimming in languorous guitar loops and hazy vocals”– Big Takeover Magazine
“One of the most revered psychedelic rock acts on the West coast music scene today… An expansive soundscape with chilled vocals and impactful drone effect… well worth the wait” – The Spill Magazine
California-based Philly-forged legends The Asteroid No.4 present their new single ‘Swiss Mountain Myth.’ A standalone pillar of psychedelic rock and enticing new taste of what’s to come on the band’s new album ‘Northern Songs’ LP, this collection of tracks will be released in late summer via a partnership with UK-based Cardinal Fuzz Records and Portland’s Little Cloud Records.
This new track comes on the trail of singles ‘The After Glow’ and ‘Northern Song’.
“It’s kind of our version of The Shining,” says Scott Vitt. “We were on tour in Europe a few years back and weeks into it hit some rough weather while driving through the alps in the dark. We ended up staying in a chalet in a small Swiss town just north of the Italian border. We weren’t really jiving well with our driver the whole tour, he was pretty much a loose canon, having these periodical meltdowns. He also carried around a knife the size of a machete. This song was written while trying to fall asleep in that darkness, nervous he was going to murder us all during the night. Luckily he didn’t but managed to be an asshole the remainder of the tour and thereafter.”
‘Northern Songs’ is the band’s tenth full length record, following up the ‘Collide’ LP in 2018. Here, the 12-string folk-rock jangle of the mid-60’s Byrds is overlaid with the washed-out vocal harmonies of Ride and topped off with psychedelic drones familiar to Spacemen 3. This is a hypnotic hybrid of several different genres filtered through the kaleidoscope of all things psychedelic.
On this new album, they did all writing, playing, recording, mixing and mastering in their own studio. This is the first time they’ve gone fully DIY since their fourth album ‘An Amazing Dream’ (2006), where the band finally found their own trademark sound.
“This is a first for us as we’ve always had at least guest musicians or someone else mix or master. It was an experiment on what we could do ourselves and testing our new studio in San Rafael, CA for the first time. Our sound is primarily rooted in the British indie music from the 80s and 90s. This is the music we grew up on, we still listen to today, and what happens as a natural result of our songwriting,” says Scott Vitt.
“Lyrically there’s reference to what is happening both socially and politically in the world around us. We wanted to make an album that brought an air of calm or even nostalgia, to remind people that there was a time, not all that long ago, when things seemed way more normal compared to what we’re experiencing today.”
Considered stalwarts of the modern ‘psych’ genre, they are known for their prolific discography of reverb-drenched recordings and liquid-projected live performances. With a sound all their own and neo-psychedelic / shoegaze learnings, they are often compared to acts like Spacemen 3 and Paisley Underground kingpins The Rain Parade.
A dynamic live act, The Asteroid No.4 integrate multi-textured guitars and reverb-drenched vocal harmonies over an unwavering rhythm section. Their prolific output has earned them a dedicated fan base within the flourishing underground psychedelic scene, with over a dozen compilation appearances, digital-only rarity releases and multiple singles and EPs.
Named after Vesta, the brightest asteroid in our solar system, their moniker is an obvious nod to Spacemen 3, one of the band’s main influences. In fact, one of the group’s earliest recordings was a faithful cover of their ‘Losing Touch with My Mind.’ Released via UK label Rocket Girl’s tribute compilation to the 80’s legends, Pete ‘Sonic Boom’ Kember himself named the song as a stand-out track in an interview with Magnet Magazine.
As of July 24, ‘Swiss Mountain Myth’ is available digitally online, including via Bandcamp, Spotify and directly from the band’s own website. The full album ‘Northern Songs’ will released later this summer.
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